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The Swing
Studio album by INXS
Released April 1984
Recorded September 1983 @ Power Station (New York City), December 1983 @ The Manor Studio (Oxfordshire)
Genre New Wave, alternative rock
Length 42:40
Label WEA, Atco, Mercury
Producer Nick Launay, Nile Rodgers
The Swing is Australian rock band INXS's fourth studio album, released in April 1984. It peaked at number one on the Kent Music Report Albums Chart for five non-consecutive weeks from early April to mid-May 1984. The lead single "Original Sin" was recorded in New York City with Nile Rodgers and featured Daryl Hall on backing vocals. Overall, the album featured a slightly harder-edged sound than their previous releases.
Background
By 1983 Australian rock band INXS attempted to expand their international profile with their fourth studio album, The Swing.The Sydney-based group had formed in 1977 by three brothers Andrew on guitar and keyboards; Jon on percussion and drums; and Tim Farriss on guitar; together with Garry Gary Beers on bass guitar; Michael Hutchence on lead vocals; and Kirk Pengilly on guitar, saxophone, and vocals.
In September 1983 the band travelled to New York City to work with Nile Rodgers (Debbie Harry, David Bowie, Kim Carnes) as producer at his Power Station studio. It was the first time the group had recorded outside Australia and provided the album's lead single, "Original Sin" (December 1983). Rodgers asked Daryl Hall of Hall & Oates to guest on backing vocals for the chorus, Hall later recalled "I don't know why because they're good singers, they didn't need me but I did it anyway".
All four singles were co-written by Andrew with Hutchence, while other album tracks were generally written with one or more additional band members.
From December INXS were working with Nick Launay (Midnight Oil, Models) at The Manor Studio in Oxfordshire, to complete the rest of the album. A cassette extended play of remixes, Dekadance, was also released in Australia.
Reception
Review scores
Allmusic 3/5 stars
Alpha 4/5 stars
Rolling Stone 3/5 stars
Allmusic's Stephen Thomas Erlewine noted that The Swing "retains the new wave pop sense and rock attack of their earlier albums, while adding a stronger emphasis on dance rhythms". He liked the improved songwriting "with more than half of the album featuring memorable hooks". Australian musicologist, Ian McFarlane, opined that "[it] boasted all the confident swagger and accomplished rock hooks of a band on the cusp of international acceptance".
Fellow Australian journalists, John O'Donnell, Toby Creswell and Craig Mathieson, found that Rodgers' effort with "Original Sin" had delivered a track with a "confident rhythm" and helped the band so that "they now had focus; the lyrical image ... fitted their circumstances".Meanwhile Launay, after hearing that track, "accepted the challenge" of providing a "sense of reinvention" for the group so that "post-punk affectations and new romantic plumage were fading away, revealing a rock band with funk leanings and pop instincts".
Charting and awards
The Swing peaked at number one on the Australian Kent Music Report Albums Chart for five non-consecutive weeks from early April to mid-May 1984. It remained in the top 100 for 104 weeks (over two years). On the New Zealand Albums Chart it reached No. 6 – their first appearance on that chart.
Beyond its local success, this album entered, for the first time in the band's history, the US Top 75, reaching No. 52 on the Billboard 200, and the Canadian Top 40, where it reached No. 27 on the RPM 100 Albums. In Europe, The Swing entered the Top 20 in France due to the big success of its single Original Sin which reached the French Top 5 during the summer of 1984.
The Swing provided three top 3 singles on the Australian charts. The lead single, "Original Sin", released in December 1983, peaked at No. 1 on the Kent Music Report Singles Chart for two weeks. The subsequent singles, "I Send a Message" (released March 1984) and "Burn for You" (July) reached No. 3; while their fourth single from the album, "Dancing on the Jetty" (October) appeared in the top 40.
In 1992 Pengilly said "The album didn't really get received very well in the States. I think "Original Sin" did well in France, it went to number one in France in 84. I think it's still one of my favourite albums because it's very diverse and a lot of the tracks are danceable."
In October 2010, The Swing, was listed in the book, 100 Best Australian Albums at No. 56, with their 1987 album, Kick at No. 11.
In February 2014 The Swing returned to the top 50 on the ARIA Albums Chart, with the local airing of a mini-series, INXS: Never Tear Us Apart, on the Seven Network.
Track listing
All songs written and composed by Andrew Farriss, Michael Hutchence, unless otherwise indicated.
Side One
1. "Original Sin" - 5:19
2. "Melting in the Sun" (Tim Farriss, Jon Farriss, Michael Hutchence) - 3:25
3. "I Send a Message" - 3:24
4. "Dancing on the Jetty" - 4:34
5. "The Swing" (Garry Gary Beers, Andrew Farriss, Tim Farriss, Michael Hutchence, Kirk Pengilly) - 3:52
Side Two
6. "Johnson's Aeroplane" (Andrew Farriss) - 3:53
7. "Love Is (What I Say)" (Garry Gary Beers, Andrew Farriss, Michael Hutchence, Kirk Pengilly, Anthony Braxton-Smith) - 3:42
8. "Face the Change" (Andrew Farriss, Michael Hutchence, Kirk Pengilly) - 3:34
9. "Burn for You" - 4:59
10. "All the Voices" - 6:06
Total length: 42:40
Personnel
INXS members
Garry Gary Beers – bass guitar
Andrew Farriss – guitar, keyboards
Jon Farriss – percussion, drums
Tim Farriss – guitar
Michael Hutchence – vocals
Kirk Pengilly – guitar, saxophone, vocals, photography
Additional musicians
Sherine Abeyratne – backing vocals
Andrew Duffield – backing vocals
Kim Liat Edwards – backing vocals
Daryl Hall – backing vocals on "Original Sin"
Sean Kelly – backing vocals
Norma Lewis – backing vocals
Jenny Morris – backing vocals
Phillip Mortlock
William Motzing – string arrangements
Frank Simms – backing vocals
David Spinner – backing vocals
Production work
Producers – Nick Launay, Nile Rodgers
Engineers – Nick Launay, Jason Porcaro
Assistant engineers – Jeremy Allom, Ross, Stewart, Allan Wright
Mixing – Nick Launay
Art work
Paul Clarke – photography
Jon Watkins – cover art
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