Taboo American Style 4 _sitkaman repost.txt
This was the 552nd post made to abdec. It was posted by woodworker on April 15, 2005.
I don't have any of the original NFO or cover files that might have posted with this film.
Produced in 1985. English. Run time of 1:04:01. DVD size of 3175.958528 MB.
This is an Fat Dog Productions NTSC DVD.
This DVD has been processed through PgcEdit to remove any PUO's and to repair the time maps, however the time maps still appear fucked up.
Col Klink posted the VCX DVD on June 25, 2005. I wish I had downloaded this one.
Posted August 8, 2015 by sitkaman.
IAFD Data
http://www.iafd.com/title.asp?title=Taboo+American+Style+4&year=1985
Taboo American Style 4 (1985)
Also Known As: Nena - Das geile Biest von nebenan - Teil 4 (German release by Ribu Video), Taboo American Style Part 4: The Exciting Conclusion
Distributor: VCA
Compilation: No
Director: Henri Pachard
Minutes: 66
All-Girl: No
All-Male: No
Actresses
Gloria Leonard
Kelly Nichols [LezOnly]
Raven
Sarah Bernard [LezOnly]
Sharon Kane
Actors
Frank Serrone
Joey Silvera
Jose Duval (as Jose Duvell) [MastOnly]
Paul Thomas
Steve Lockwood (as Stephen Lockwood)
Tom Byron
NonSex Performers
Adam Frank
Henri Pachard
Jake West
Scene Breakdowns
Scene 1. Gloria Leonard, Tom Byron
Scene 2. Kelly Nichols, Sarah Bernard
Scene 3. Raven, Joey Silvera
Scene 4. Sharon Kane, Frank Serrone
Scene 5. Jose Duval
Scene 6. Raven, Steve Lockwood
Honors and Awards
VHS & DVD Rear Cover Description:
Lauded by critics as the finest film of the year (1985), Taboo American Style is the four-part saga of one young woman's sexual awakening - and the power she attains with it. In Part 4, Nina continues her quick rise to fame and fortune, leaving her broken and sexually frustrated family in ruins. She sets her sights on show business, and no one can stand in her way.
Review of Taboo American Style 1-4 by Roger Feelbert (heh) on the Pornonomy blog:
http://pornonomy.blogspot.com/2010/04/pornonomy-reviews-taboo-american-style.html
Wednesday, April 21, 2010
Pornonomy Reviews: Taboo American Style Parts 1-4
Taboo American Style (1985)
Directed by:
Henri Pachard
Starring:
Carol Cross
Gloria Leonard
Kelly Nichols
Raven
Sarah Bernard
Taija Rae
Frank Serrone
Joey Silvera
Paul Thomas
R. Bolla
Steve Lockwood
Tom Byron
Holy cow. This mini-series was a lot to digest.
It seems strange to say that a film (for simplicity's sake, and since I watched this series as a whole instead of by the parts, I'm going to refer to Parts 1 to 4 as "the film") that features acts of incest and has the word "taboo"* in the title isn't about incest, but Taboo American Style really isn't about incest: it's about a teenage girl shrewdly and mercilessly manipulating everyone around her in order to achieve her goals of power and, later, film stardom.
The scope of the film is far to great to provide a scene by scene account, and although some might scoff at the idea of worrying about "spoilers" in a porn, there are enough startling moments that it'd be a disservice to lay them out here.
The film primarily involves the well-to-do Sutherland family: father Harding (Paul Thomas), mother Emily (Gloria Leonard), soon to leave for college son Tom (Tom Byron), and daughter Nina (Raven, who, throughout the film, sports a cavalcade of absurd hair styles). Tom is interested in Lisa Chinaski (Taija Rae), the daughter of the family's handy man Jack (R. Bolla). In order to keep up appearances, Emily forbids Tom from seeing the girl, a decision that ultimately backfires when Nina orchestrates a liason between Tom and Lisa later that night. Not only are we introduced to Nina's penchant for sneakiness, but to the fact that the Sutherland household needs to enact a "close your bedroom door!" policy.
After subsequently undermining her mother by sleeping with Lisa's brother, Clete...yes, Clete (Frank Serrone), Nina strikes her mother a definitive blow by leading Harding to the location of an elicit tryst between Jack Chinaski and Emily. Nina is then able to capitalize on her father's vulnerability by coaxing him into a sexual relationship. Now that I think about it, that's the definitive blow.
From this point forward, she is able to orchestrate about every inappropriate pairing you can imagine - shy of any male/male contact, of course - without seeming to derive any physical pleasure from these encounters; merely the psychological satisfaction of controlling others. Ironic considering the first time Nina is shown in a sexual situation it's while she's guiding Lisa through the theory and practice of achieving orgasm.
In a recent post, The Gore-Gore Girl wrote that she frequently finds herself watching a non-pornographic films with "structure, style, or some other intangible element that makes you continually think you're watching porn." Conversely, I find myself often watching a porn and thinking how it's story could be adapted for a "normal" rating. I kept thinking that in TAS, if Nina was an au pair, or friend-of-the-family's daughter visiting over summer vacation (basically anything that wouldn't make her fucking the father figure unmarketable) it easily could have been grouped with Poison Ivy or The Hand That Rocks the Cradle. There were multiple times during the span of the film that I actually expected someone to get murdered! A lot of the ambient score, um, underscored that feeling since it wouldn't have been out of place in a psycho-sexual thriller. (To beat this idea into the ground, the tension that builds during the scenes between Emily and her therapist, Dr. Berman - played by director Henri Pachard** - is very Basic Instinct-y.) Additionally, there's a point at the height of the "Nina runs the house" phase of the film, that almost has paranormal undertones, like the kid that can control people in that Twilight Zone episode (and part of The Movie, of course).
Ultimately, Nina's able to use her powers of manipulation to realize her dreams of movie stardom. I'll leave it to you to guess if she ever gets a sort of comeuppance to pay for her actions, which you may get right, however perhaps not in the way you think you'd get it right.... Ooh, cryptic!
Overall, the film is very well realized and acted. I found myself noting on multiple occasions the quality of the camera work and scene staging (although it was a little disappointing that, in Part IV, after a bunch of great production, the boom mic had to make an appearance; ah, well, I guess it is porn, after all). If there was one knock against the film, technically, it would have been in some of the editing. There were a few occasions when there was pretty great tension building - as in the aforementioned therapist scenes - but the scenes suffered from a bit too much repetition, cuts between a character and a door you expected to open, for instance. Still, that's a pretty small demerit in the scope of the overall film.
Lastly, I've said before that I consider whether or not I'd recommend a film to one of my less porn-versed friends. Taboo American Style suffers a sort of double-whammy (it's not a comedy - the easiest films to recommend to a newbie - and it deals with a bunch of incest), but in terms of it's pretty great direction and cast and it's unique structure (a true four part mini-series, as opposed to a few films that are sequels), I'd willingly recommend to anyone I thought could handle it. B+
* Taboo American Style appears in the Wikipedia entry for the Taboo film series, but while I may be wrong, I don't think that's accurate. Granted, I'm not familiar enough with the Taboo series to know how related #3-23 are - I've seen 1 and 2, and 2 was tangentially related to the first - but it seems to me TAS is its own entity. I'd wager that it was titled "taboo" because the word, in the wake of the first few films, became synonymous with incest. And it probably didn't hurt that the first few films were pretty successful. To that end, it's kind of funny that "American Style" was included, too, given the supposed "snowclone (xxx), (nationality) Style" as a "minor cultural meme...". As a weak analogy, it'd be like naming a movie about the revenge of a super hero "Super Man Strikes Back."
** While it's probably more common than I realize, I though Pachard making a cameo in his film was great. Like, I really enjoy the work of Paul Vatelli, but I wouldn't know him if we sat next to one another on an airplane. Unless, I guess, Stiff Competition was the in-flight movie and the topic came up....
Posted by Roger Feelbert at 4:00 PM
Labels: 1985, B+
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