goneblonde wrote:
> On Mon, 08 Sep 2008 18:27:13 -0700, Herb <Herb@the.herb.garden>sayed:
>
>
>>goneblonde wrote:
>>
>>>Hi Herb
>>>
>>>I'm been trying to learn to digi for awhile now and was wondering if you
>>>look at my version of this logo and give me some pointers if you have the
>>>time. Thanks for all you do.
>>>
>>
>>Sure -
>>
>>But first a couple of questions -
>>
>>First, did you do anything at all to change the graphic that crafty
>>posted?
>>That is, did you edit it with paint or photoshop or paintshop pro etc?
>
>
> No just as it was. I have PSP7 but not very good at that either!
>
>>Second, exactly what DID you do, and with what digitizing program, and
>>what steps did you take (autodigitize the whole thing, select by area,
>>by color, etc.)?
>
> Used Artista4 adjusted the graphic to fit a small hoop.
This usually works well, but not always.
> used the omit colour white.
Hmm.. you don't get that dialog box unless you choose to autodigitize
(the paintbrush-y looking icon on top).
> Then area by area.
Did you do BOTH? First autodigitize and then area by area?
> Used satin for HH
When I autodigitized the whole thing, the M in the HM (not HH, btw)
ended up with a silly looking fold. I did it again and wasn't able to
reproduce the problem.
> the step
> fill for the rest. I had to adjust the white outline by the red V as this
> was too thin.
A matter of choice. I find it easier to adjust the original graphic.
> the lettering on the white going across was done letter by
> letter auto digi with step fill.
Small lettering just doesn't auto-trace well. On the other hand,
I've never been able to figure out how to use the text creation ("A")
when the text has a background. It's easy enough when text is
separate, or stitching the text on top of a background, but not when
it should be flush with the background.
> When I took it into Embird had a few jumps
> but it looked OK but was not pleased with the HH.
I just went through pretty much the same steps as you did in Artista4,
and got similar results, including the top the HM and the wings of
the "V" not being parallel.
> Maybe should have made them step stitch.
It's easy enough to undo the last action and do it differently - then
using the Artistic View to see what it looks like.
> So you don't have to scroll to the bottom of this.
> How did you know what font was used you seem to be able to recognize fonts
> used in graphics, is it a trick or your knowledge of fonts or a program you
> have to identify them?
All of the above. For this one, I recognized the general form (very
plain sans-serif with rounded ends) and knew that in such a small size
the differences between the rounded versions of Arial, AG Book, VAG,
wouldn't be significant. But because THIS time Click'n'stitch did a
passable job digitizing the text, I didn't use any of them.
When I just did it in Artista, the text looked pretty awful, so I
deleted it and used Arial Rounded (because THAT's the one I already
REALLY looking good. Now I think I ought to redo the design for the OP
that way.
There are two font identification facilities available:
http://www.whatthefont.com and http://www.identifont.com
The first one, 'WhatTheFont' requires a graphic image of the text to
be identified, and it's very particular about what kind of image can
be used - limited to 35 'elements', smaller than 200,000 pixels,
letters that aren't touching, and a few other restrictions. It doesn't
work with script fonts at all. Sometimes it works perfectly,
sometimes it gives VERY strange results! It can only identify fonts
from major foundries and those sold by MyFonts (the site's sponsor).
Identifont asks you a series of questions like "Does the cross-bar of
the E meet or cross the vertical?" and, like WhatTheFont, will often
identify the font for you, but will equally often show you things that
look absolutely NOTHING like what you started out with! It will
suggest a list of fonts, some of which will have features contrary to
what you specified.
> Thanks again for you help.
My pleasure.
- Herb
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